Hostel: Part 2 The Hostel trilogy boasts a wide array of upsetting death scenes, but there's something bleakly fascinating about the blood-bathed 'Bathory' sequence from Hostel: Part II that really gets under my skin. For what feels like forever, we watch a member of the twisted murder club slit a young woman's throat and then bathe in the blood flow. As sick as it gets. I still contend that there's a lot more to the Hostel movies than just the gore, but if it's 'just the gore' you're after, then this freaky scene fits the bill. Alligator On one hand, this movie is a very simple horror story about a very large alligator that terrorizes Chicago. On the other, it's a surprisingly clever Jaws homage/parody that offers some very cool gator FX. Nothing in this film scares me as much as the scene involving a few young boys, a dark swimming pool, and a very hungry alligator.

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Even with the raging jaws obscured by sloshing water, it's still gasp-worthy. I'm not ashamed to admit that this scene gave me nightmares for weeks when I was a kid. Deadly Friend Most of the kills on this list are shocking, gruesome, or particularly impressive in a special effects sense. This one is just nutty. It's not every day you see an evil robotic teenage girl throw a basketball so hard that it blows somebody's head off, but that's precisely what Wes Craven came up with here. With hindsight it seems pretty obvious that this murder scene is being played for laughs, but it sure doesn't play that way as it happens.

The result is a sequence that's as unexpected as it is irretrievably wacky. Psycho Is the shower scene too obvious a choice to be included on this list? That scene is so iconic, so influential, and so damn creepy (yes, still) that I'd kick myself forever if I didn't put it on the list. And if you've never actually watched Psycho all the way through, you might wonder what makes this scene so damn important.

Not only is it a meticulously crafted piece of suspense, but the twist adds its own shock. Because, well, this isn't the sort of thing that's supposed to happen to our lead character. Hitchcock knew this scene would keep his audience off-balance, and he clearly had a great time putting his audience in that frame of mind.

Contents • • • • • • • Plot [ ] Marnie Watson () is being driven home in a police car after killing her abusive husband in self-defense - to be placed under house arrest. She is escorted home by Shanks () a police officer and former partner of her husband. After they get inside, another officer arrives to fit Marnie's ankle bracelet, telling her she cannot move more than 100 feet (30 m) from the detector in the hallway, and if the alarm sounds for more than three minutes, the police will be notified. The next day a delivery boy Joey () arrives with groceries, and Marnie tells him she needs him to come by on a regular basis. Later that night while in bed her husband's face suddenly appears.

Frightened, she leaps up and flees from the room. Her husband's ghost, Mike (), pushes her down the stairs. Marnie crawls to the front door setting off the detector. Shanks arrives a short time later and finds her unconscious at the front door. She tells him she fell down the stairs. He asks her if someone is beating her and chastises her for not cleaning up the blood stain which has reappeared on the wall.

Marnie has Joey get her some books from the library about ghosts. She reads that she must get rid of all of Mike's things and begins collecting everything, including the suitcase she threw in the basement. While in the basement, Marnie is attacked by Mike's ghost and dragged down the stairs before she can finally get up and run to safety. Once upstairs, Shanks is knocking at her door after hearing screams, and begins looking throughout the house demanding answers. He claims that Marnie is covering for the real murderer and gets upset at her lack of clarity. In the end he apologizes for not being able to protect her and vows to do everything in his power to protect her now. Mike's ghost continues to threaten Marnie and she continues to rid the house of his presence.

Feeling lonely, Marnie calls Joey in the night against her wishes he runs over and refuses to leave unless she lets him in. They make their way upstairs and have sex, during which Marnie sees Mike's ghost and continues unwavering seeming unfazed, almost happy that the ghost is watching. Everything seems fine until the next morning when they are getting out of bed and Mike's ghost attacks them, brutally killing Joey. Shanks has been watching her all night and comes with a warrant to arrest Joey, claiming he knows he's in there.